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00:06.000 --> 00:07.000 Bye, 00:09.650 --> 00:12.550 in this video a spring one, 00:12.650 --> 00:16.770 I'm going to show you a summery pattern with a bit more neon colours, 00:17.570 --> 00:20.150 And a milky white with a hint of laxity. 00:20.550 --> 00:24.690 I'm sure you've seen many similar ones on the 00:25.190 --> 00:28.230 online. We're going to need an ombré token. 00:28.410 --> 00:32.450 I'm going to use the Brillbird ombrelette now, and a shortex. 00:32.810 --> 00:36.010 I'll use the shortshell for the divané. 00:36.510 --> 00:40.150 Thanks for the nice work, and thanks for the comments. 00:42.390 --> 00:45.650 The main thing is to have well pigmented gel polishes, 00:45.790 --> 00:48.470 I'm using two gellaks of vanalizat right now, 00:48.690 --> 00:51.730 903 and 902. 00:52.930 --> 00:56.610 I'm going to add this. 00:57.110 --> 01:01.330 the color thread to make up the top of the darker color, 01:03.590 --> 01:06.230 I'll put them up, but relatively thick. 01:06.370 --> 01:10.090 Don't mind the amount of fabric, I didn't skimp on it, 01:11.790 --> 01:14.710 And if this color thread is a bit of a bummer, 01:14.790 --> 01:19.270 We'll move on to the other one afterwards. Which is very important, 01:20.670 --> 01:24.530 I'm going to make sure that the fur on our ombrelette is washed out. 01:27.250 --> 01:30.770 You can also do this in phenolic gel, or in a precipitator 01:31.270 --> 01:34.250 I usually put the liquid on a windless wiper, 01:37.700 --> 01:41.180 and I'm going to wipe her hair to make sure it doesn't fall out 01:41.680 --> 01:45.900 on, no residual pigment. I really like to use it for glitter, 01:46.000 --> 01:48.780 so there's often a grain of glitter left in it. 01:49.780 --> 01:53.440 The point is to lay the brush all over it 01:53.940 --> 01:57.280 this is the end of the cut, our tip, and this 01:57.780 --> 02:01.180 we start the line with a right to left tapping motion 02:01.680 --> 02:05.640 work it out. Since the fabric is thick, this is the first time 02:06.140 --> 02:09.539 it's not going to be so windy, but I'm going to go with this technique 02:10.039 --> 02:12.840 Luckily we don't have to make a nice colour thread. 02:13.100 --> 02:15.960 Enough with this ombre. 02:16.720 --> 02:20.740 I'm going to cover it up, because we're going to cover it up. 02:21.240 --> 02:24.880 and it's a perfect match with this milk white shade. 02:25.380 --> 02:33.680 will wash it. With our tip a little bit up, 02:33.880 --> 02:37.880 a little bit down, with a punching motion 02:43.480 --> 02:46.840 it is possible to have a more finite amount of material 02:47.340 --> 02:50.820 but you can do it in two layers to get it on top here 02:51.320 --> 02:54.800 be sure to stay. It's important not to pull it down and out from there 02:55.300 --> 02:58.680 the fabric, but work this line from right to left 02:59.180 --> 02:59.920 felle several times, 03:01.440 --> 03:04.600 I'm looking forward to a smooth transition. 03:07.710 --> 03:11.190 By the way, this is perfect for us, 03:12.150 --> 03:16.710 because it's also included in our translucent gellac hat. 03:16.970 --> 03:18.810 Let's go in the lamp. 03:21.830 --> 03:25.550 In the meantime, let's all get the excess out of our brushes! 03:26.050 --> 03:26.350 level. 03:33.280 --> 03:37.120 And let's make another gellak. You can have a glass of wine 03:37.620 --> 03:41.080 gellak's own vinegar, or sort vinegar on the fabric. 03:41.820 --> 03:43.220 It's up to you too, 03:44.720 --> 03:49.000 and then from the bottom level I have one like this. 03:49.500 --> 03:51.880 I'll put it on in an irregular French tunnel. 03:53.040 --> 03:57.080 We're going to lay the brush down and start 03:57.580 --> 04:01.900 Off to work. We found out it depends on how long we drag it out 04:02.400 --> 04:05.620 It's down to how much we stretch the colour transitions. But I... 04:06.120 --> 04:10.500 I think you don't need to do too much, as you can cover it with milk white anyway 04:11.000 --> 04:14.960 will lose that long 04:15.460 --> 04:18.800 Thanks for your kind attention and have a nice day. Of course with other colours too. 04:19.300 --> 04:23.440 maybe, with other ombre techniques. There are so many kinds. 04:23.940 --> 04:26.100 I can make a colour transition. 04:27.260 --> 04:31.100 My favourite technique is the sponge one. This is the 04:31.600 --> 04:36.140 I usually use a brush when I have a glamour gel, 04:36.200 --> 04:40.180 a very strong glitter gel 04:40.680 --> 04:44.040 I would like to say a colour transition in a wash. 04:44.660 --> 04:49.080 Now that we have this big foot frame to work with, 04:49.540 --> 04:52.600 now we have to wait for the full volume 04:53.100 --> 04:55.900 time. Leave it at the first layer. 04:56.740 --> 05:00.200 I didn't wait for the two minutes knitting time, 05:00.240 --> 05:03.080 one of these was in the lamp for 20 seconds. 05:03.500 --> 05:07.160 Enough of the length to make my other side 05:07.660 --> 05:10.780 I can work now. But it's important that it's not just lightning 05:11.280 --> 05:16.220 Put it in volume, because in 5 -10 seconds the agillag can get wrinkled, 05:16.360 --> 05:20.360 I'm so glad you're here! 05:20.880 --> 05:24.220 So until then, get ready for the next frost, 05:24.720 --> 05:27.460 I'll be knitting until then. 05:28.200 --> 05:31.800 So much to be able to work on the other side. And if you want to 05:32.300 --> 05:36.340 totally harbour, we will put it up. I'm using the 2M 05:36.840 --> 05:40.320 -butinas are the elastics 0,3 -color beige elastics, 05:40.440 --> 05:43.760 I use 0,3 -. This is a 05:44.260 --> 05:47.660 very nice shade of off-white. If you make it thick, 05:47.920 --> 05:51.340 it's not at all translucent, but it's absolutely translucent 05:51.840 --> 05:54.560 it keeps that translucency. 05:55.020 --> 05:59.200 And this is the first time I'm going to flush it! 05:59.700 --> 06:02.540 for my tip. You'll see when I'm done, 06:02.880 --> 06:07.240 almost no colour at all, as if it was just a more opalescent 06:07.740 --> 06:10.980 I would put a cover on it. But I will. 06:11.480 --> 06:13.240 I'll put a little bow to the tip. 06:15.800 --> 06:19.740 It's just important to have a sliding layer underneath, so that you can 06:20.240 --> 06:21.220 We can put it away. 06:22.990 --> 06:25.970 I'll put it on the worm without a five, 06:27.070 --> 06:30.910 because I'm going to put a larger amount of material on this one, but it's going to take a lot of work. 06:31.410 --> 06:34.650 I need a set for my divani, right? 06:35.150 --> 06:38.190 I'm going to use the sorteche, it has a bit of a compacted coat, 06:38.210 --> 06:41.370 I'm using the same ones I use for my indels, 06:41.530 --> 06:44.690 and I need a matte topcoat, 06:44.830 --> 06:46.670 or any kind of clear fabric, 06:47.570 --> 06:50.570 I can use to wash out the brush hairs. 06:52.500 --> 06:57.500 So I can avoid all the little leftover lac 06:58.000 --> 07:01.060 I'm influenced by my work, or possibly by glitter grain, 07:01.720 --> 07:04.060 Or if that's how the brush hairs dance, 07:04.740 --> 07:08.240 that's when the mothering thing will really work well. 07:08.680 --> 07:12.960 I can use this even with a long brush or any 07:13.460 --> 07:17.180 Longer hair napping brush. Bottom line, 07:18.080 --> 07:21.320 to be a little more compact, 07:21.440 --> 07:24.860 no hairs that like to indel to have strength 07:25.360 --> 07:29.300 spread the fabric. I'll pick up a relatively large 07:29.800 --> 07:33.320 I'm going to make a little scoop with my brush and put it down here in the 07:33.820 --> 07:38.440 for a third of it. And I'll start this one 07:38.940 --> 07:42.340 spread it out. You're totally 07:42.840 --> 07:47.000 I'm going to lay the line on it and pull it to the right, 07:47.180 --> 07:52.100 preferably without tickling the bigger one 07:52.600 --> 07:55.040 Thank you very much for your attention, and thanks for your kind comments. We'll keep this under control, 07:55.740 --> 07:59.860 The main thing is to spread it out. If I feel it's not enough, 08:00.800 --> 08:04.400 because I'm almost out of nutmeg, so I'll put some more 08:04.900 --> 08:07.000 there. One third, 08:09.000 --> 08:11.820 And I'll start working my way down. 08:21.780 --> 08:24.460 When I'm more or less done, 08:25.460 --> 08:29.280 I'll play with it a little bit more, for example, to make the colours 08:29.780 --> 08:33.620 neter should be as much material as possible, as bright as possible, 08:34.320 --> 08:36.659 above and below. 08:41.220 --> 08:44.960 By the way, I've spread the fabric a bit from the edges, 08:45.380 --> 08:49.020 I'm glad you like it, it's so nice to have it flowing into the folds, isn't it, when it's made on a guest. 08:49.700 --> 08:53.280 And the final trick to make it perfect 08:53.780 --> 08:57.620 the bow, is to turn the guest weight upside down. 08:57.900 --> 09:01.620 With such a dense material it takes about ten seconds 09:02.120 --> 09:05.700 It's about to start spreading, so I'll give you a ten to fifteen count, 09:05.980 --> 09:09.360 I'm glad you're here. 09:10.060 --> 09:13.400 We always check before we put it in the lamp, 09:13.760 --> 09:17.120 And if it's in there nicely, I'll show you, 09:17.240 --> 09:19.580 perfect surface, you can go in. 09:21.830 --> 09:25.810 If you put too much stuff in it, and it's so fleshy 09:26.310 --> 09:30.590 If it's in a shape, wait a few more minutes after reversing, 09:31.090 --> 09:33.950 It's a little bit of meat, it's lower down, 09:34.450 --> 09:37.810 go down. Good, they are always breaking out 09:38.310 --> 09:38.730 for the brush. 09:46.110 --> 09:50.130 And actually, we're packed, I'm going to drink this stuff, 09:50.210 --> 09:53.750 two minutes in the lamp and mat or glossy 09:54.250 --> 09:55.850 I'm glad you like it. 09:57.370 --> 10:00.890 I would definitely recommend the glossy topcoat for this technique. 10:02.850 --> 10:06.210 This is going to be the top of the vanilla season, in our case, 10:12.280 --> 10:17.300 and we will hang up after full knitting time 10:17.800 --> 10:18.700 tempere toppal. 10:37.760 --> 10:40.860 Also two minutes for the total knitting time, 10:46.520 --> 10:50.280 and it looks very nice with this as from alab to core 10:50.780 --> 10:54.300 Also, but of course, that you would like to have it, 10:54.580 --> 10:57.860 transfer foil, it can take almost anything, 10:58.340 --> 11:01.960 I think it looks really nice in pastel colours, and I think it looks really nice in 11:02.460 --> 11:07.080 I think it looks great on the most spectacular and neon colour combinations, 11:07.960 --> 11:09.880 I think the most beautiful... 11:15.480 --> 11:19.100 Well, super! Thank you very much for your attention, 11:19.320 --> 11:20.700 Have a nice day to you,