Read the transcript of the lecture

00:02.100 --> 00:06.560 Next we'll have our pattern for the hedgehog. 00:07.060 --> 00:10.420 Sünike's back is more of an orangey brownish shade 00:10.920 --> 00:14.700 will be. So we're not going to put in a reddish tint here, 00:14.760 --> 00:18.370 so 91 00:18.870 --> 00:22.370 -in yellow. Pee-pee-pee-pee. 00:24.410 --> 00:27.150 Brown 185. 00:29.170 --> 00:30.930 Pee-pee-pee-pee-pee. 00:33.520 --> 00:37.980 And our make-up base is ready to go 00:38.480 --> 00:39.680 up, too. I'll stand by myself. 00:43.580 --> 00:47.000 There we go, into the lamp it goes. And 00:47.500 --> 00:51.120 then I'll show you a new version now, so that if we don't want to 00:51.620 --> 00:55.040 to spend time sketching the sketch, 00:55.380 --> 00:58.960 or spend too much time, we won't want extra layers 00:59.460 --> 01:00.080 to pull, 01:02.480 --> 01:06.080 then with our brush itself we can make the sketch 01:06.580 --> 01:10.960 ready to make. To do this I take out here the darker color used 01:11.460 --> 01:14.800 my brush, and our brown gellac 01:15.300 --> 01:19.060 I'm gonna take some of the 185 balas out of here, I don't even have to mix it 01:19.560 --> 01:22.820 with black, so you can use that, but you can also use 01:23.320 --> 01:27.480 I can use a conturozonyog, just endony the works with it, and with this soufflé 01:27.980 --> 01:31.580 to cut out the pattern. If you're very clever, you'll even do it with this 01:32.080 --> 01:35.480 do it, so we'll be able to go even faster, when we've got it 01:35.980 --> 01:39.300 the routine, so that's how you want the patterns. Okay, so then it's going to be 01:39.800 --> 01:45.000 out to look at the bottom of a curvier 01:45.500 --> 01:49.300 is how we're gonna get it up here, it's gonna be a hedgehog's belly, 01:49.360 --> 01:52.560 so we'll start from the tip of the nose, right down to the toe, 01:52.640 --> 01:56.140 we'll just leave a tiny little gap, and we'll 01:56.640 --> 02:00.870 curved onwards, so from a separate 02:01.370 --> 02:05.090 that's the way it's gonna be, relax, so you can pull it over a little bit, 02:05.590 --> 02:09.090 As if we were drawing with a serum, And we're going to get out of here, 02:09.150 --> 02:12.590 that we're gonna take it down under the van, so we're gonna skip a 02:13.090 --> 02:16.610 little niche, and down we go in the van underneath, and just after that we're gonna 02:17.110 --> 02:20.370 up towards the pull. And then 02:20.870 --> 02:24.290 around the inside, so here's the forehead, 02:24.490 --> 02:28.830 and then this little rounded, curved little van alaka we're gonna 02:29.330 --> 02:32.650 moving on, here's gonna be pretty much the ears, it's a 02:33.150 --> 02:37.030 like this bigger, half round arch, and then like this 02:37.530 --> 02:40.670 we'll close up, and then like this, 02:41.490 --> 02:46.720 That'll be the spike 02:47.220 --> 02:50.160 part. So here it is. 02:51.320 --> 02:54.400 So there's the end of the bun, there's the end of the body, 02:54.820 --> 02:58.920 the extra one about 2 mm in, that's a little bit more 02:59.420 --> 03:02.600 you can see that I've got this spiky part right here at the tail end. 03:02.720 --> 03:06.400 So it'll be right here around your feet inside, like this, 03:07.180 --> 03:10.420 this part, the left side goes into the body, 03:11.200 --> 03:14.960 the good boldala is not, only the van is barely going, but the backward is 03:15.460 --> 03:18.800 just off the train he went, right next to the other one, 03:19.300 --> 03:24.020 and then they'll be the same length. Right, so that's it for sketching 03:24.520 --> 03:27.420 Plenty more, and then I didn't even have to put on a layer, 03:27.520 --> 03:31.220 I'm ready to tie it, and that'll speed up the 03:31.720 --> 03:35.600 thing. Now, for our bun, there's not much red 03:36.100 --> 03:40.420 color, so we're going to work with browns, we can take out both browns, 03:40.540 --> 03:43.700 we'll need all two of them, so that we've got the 03:44.200 --> 03:47.720 light, but I add a little bit more, and 88 03:48.220 --> 03:51.500 -as well, we'll use a darker brown, 03:54.580 --> 03:57.780 we'll just go back to the mat again, 03:59.460 --> 04:03.060 like this, and a very tiny bit of the hedgehog's body 04:03.560 --> 04:07.880 we're going to yellow it, we're going to dye it with pasty yellow, 04:08.100 --> 04:09.420 the 102's away. 04:12.270 --> 04:15.590 Okay, so we're not really going to use red, just the little 04:16.090 --> 04:20.269 we'll put a little bit of blush on the front lattice, so that's where 04:20.769 --> 04:24.690 then I'll have to put on a bob. Okay, phantom brush coming up 04:25.190 --> 04:29.510 also, a little bit of mixing of the colors. Into the dark brown 04:30.010 --> 04:34.450 we don't need that much, but we'll put it in, 04:34.610 --> 04:37.870 to make it easier to work with, 04:38.330 --> 04:42.370 and the yolks are whisked in. 04:42.990 --> 04:45.450 Okay, we'll start with yellow, 04:46.270 --> 04:50.070 and that will give us the basic color of the hedgehog, 04:50.290 --> 04:55.510 and it can be done in a way that's more towards the middle here 04:56.530 --> 04:59.530 with more paste, we'll go in the ear here, 05:00.210 --> 05:03.210 We'll get to the end here, 05:04.770 --> 05:06.330 and we'll pull you in the leg, 05:09.030 --> 05:12.330 in the back too, but we don't need much more, because it's a bit 05:12.830 --> 05:14.250 then it'll get darker. 05:16.710 --> 05:20.150 There, and we're ready to hit it 05:20.650 --> 05:24.670 the level, there we'll make a passageway to the lobsters, and there 05:25.170 --> 05:29.130 it's more brown, a little bit so you can see it with a little bit more of the gel, 05:29.250 --> 05:32.990 and then it's ready to go in the lamp. I might as well be, 05:33.050 --> 05:36.810 to get the needlepoint part right away, that's just to 05:37.310 --> 05:41.350 I happen to put it in so that it doesn't, so that it flows away. Ok, then the dark brown, 05:49.690 --> 05:53.350 and we'll fill in the needles, of course 05:53.850 --> 05:57.850 still not so much the top there, but the rest of the ley 05:58.350 --> 06:01.670 dark brown part, perfectly we can now 06:02.170 --> 06:05.650 do it. Care was taken not to make the top too pointy. 06:09.860 --> 06:10.560 Like this, 06:14.630 --> 06:18.780 We'll go down to the bum 06:20.070 --> 06:23.990 Here's the brown one. I think it's just as well 06:24.490 --> 06:28.930 ♪ you can go in the lamp ♪ All right, repeat after me, back from the yellow 06:29.430 --> 06:33.910 I'm gonna do a little bit more in the middle here 06:34.410 --> 06:34.630 revenni. 06:41.420 --> 06:44.100 Then I wash the two edges further. 06:48.820 --> 06:50.600 Here comes the brown and again. 07:01.270 --> 07:04.890 And you see here tick can fill in these parts doing. 07:06.730 --> 07:10.870 Good. Now, you can go into the lamp, and then we'll get on with the shade. 07:12.450 --> 07:15.350 We'll put on our lighter brown. 07:15.810 --> 07:19.610 And from the hedgehog's nose, so right in the nose. 07:20.070 --> 07:23.890 And so we come to the forehead. That's where we're going to put the 07:24.390 --> 07:30.870 brown. Left side of the ear here left side. 07:32.570 --> 07:35.950 We're gonna put a little bit in the back leg here 07:36.450 --> 07:40.590 take it away. And here in the end 07:41.090 --> 07:45.330 a little bit more on the bumpy part. Good. We'll wash these up nicely, 07:45.530 --> 07:47.210 I'm going to put on a little genius at the end. 07:51.520 --> 07:55.780 Obviously, we're not going to leave it like this, we're going to refine it a little bit more. 07:56.840 --> 08:09.080 I'm ready to go again 08:09.580 --> 08:12.640 into the lamp. And now we'll look at this after the binding, 08:13.060 --> 08:16.280 that you might want to do again or some 08:16.780 --> 08:19.400 Partly to go over once more with this brown. 08:20.200 --> 08:23.280 I really don't need it, I think. There is one more part, 08:23.340 --> 08:26.620 that we have to do. The ear of the 08:27.120 --> 08:31.040 inside. So look here. But from it 08:31.540 --> 08:35.580 so I'm admiring a little half-dead mould like this. 08:35.820 --> 08:38.360 So, this is the inside of the ear. 08:39.200 --> 08:41.580 Well, maybe a little more brown. 08:43.900 --> 08:44.620 We're ready for a toast. 08:47.620 --> 08:51.100 Good. You can go in the lamp. And then that's all we do, 08:51.160 --> 08:54.200 to give the spikes a little bit of a base level. 08:55.080 --> 08:59.260 In places, we're going to do a little veining like this, 08:59.760 --> 09:03.380 to make it a little bit better for us 09:03.880 --> 09:06.500 shape. A little bit always decided. 09:09.120 --> 09:13.080 Very well. So I'm a bit of an uneven this is what we're doing here. So I put it like this. 09:13.580 --> 09:16.820 will better support me in making these 09:17.320 --> 09:21.180 the spikes are better released. And then 09:21.680 --> 09:25.260 that's all we put in the lamp. We'll take out a point bring. 09:25.500 --> 09:28.720 And the red cheeks we'll do with this that you're tucked in 09:29.220 --> 09:32.660 color. Now here's how to hit it, so you have to imagine it will be around like this 09:33.160 --> 09:36.820 eyes. And a little lower than that, and to the right we're going to hang this 09:37.320 --> 09:38.100 little red bun. 09:45.200 --> 09:48.940 Good, we'll put it in the lamp, and everything else will be on the matte finish 09:49.440 --> 09:52.520 it's gonna go up. When it's all tied up, it's ready to go 09:53.020 --> 09:53.320 the matte cover. 09:59.640 --> 10:04.460 It's also important to be well tied here, because with a little bit of this pond pigment 10:04.960 --> 10:08.300 the red you use, you can smooth it out you can make this one cheeky 10:08.800 --> 10:12.380 the part that's going to smear this. Meanwhile, we'll pick up 10:12.880 --> 10:16.400 of the dark contouring material, and then we'll watch. 10:16.760 --> 10:20.760 Now we're going to do a little more definite contour, 10:20.820 --> 10:22.160 To make myself look better. 10:26.930 --> 10:31.270 Bottom. And my level from bottom to top is easier to pull. 10:34.150 --> 10:37.370 We'll come up here to her nose. 10:38.190 --> 10:40.630 Good, and then we'll listen to what I said, 10:41.010 --> 10:47.400 that here this vanal continues. 10:48.500 --> 10:52.260 And here's the side of my leg 10:52.760 --> 10:56.600 and it goes in there in the body. But here, 10:56.720 --> 10:59.800 it doesn't go in right side out, and I don't close it, 11:00.180 --> 11:04.120 but with a little bit of this snippin' doin' the guts up 11:05.080 --> 11:08.020 and down. Good, that's how the legs will be. 11:08.460 --> 11:10.920 And the other one will start here with the vanalto. 11:11.900 --> 11:15.400 I've got the longitudinal vanilla running in a cushion and here's another 11:15.900 --> 11:19.440 11:19.600 --> 11:23.380 just, and then you've got your feet. So the 11:24.180 --> 11:27.680 then, with such a frown we'll watch it, 11:27.840 --> 11:30.920 We're gonna make a concave, we're gonna turn up. 11:31.700 --> 11:33.180 There's the roast on the nose. 11:34.750 --> 11:39.150 I'm going to curl her ears around her outside 11:40.290 --> 11:43.950 and the left side of the inside of his left vein. 11:46.650 --> 11:50.550 So I stop. And here's a little bit 11:51.050 --> 11:54.270 I half pull the straight part. 11:54.870 --> 11:58.550 Good, and then I'll do these little tiny curved bits. 11:59.410 --> 12:03.250 And you see, it's like if the dark brown is the default 12:03.750 --> 12:07.150 I painted somehow these little callers for us to publish. 12:15.810 --> 12:19.430 And then I'm ready for these little stumps. They are also so tiny 12:19.930 --> 12:23.750 -I'm going to make the moulds, so I'm going to close it with a v 12:24.840 --> 12:30.750 from here I'm gonna start the next one I'm gonna close 12:34.040 --> 12:44.200 so all along a little 12:44.700 --> 12:47.540 I'm working variedly, which is fine ti, 12:47.640 --> 12:51.640 I'll be a little longer, I'll be a little longer 12:52.140 --> 12:56.180 we can go at a different angle, so a little bit more of a creepy 12:56.680 --> 13:00.620 the end result and 13:01.120 --> 13:05.480 we close. Good, a little bit of this finer barn under 13:07.430 --> 13:11.290 No, I'll just be a little bit longer 13:11.790 --> 13:15.690 I'll put a little vanilla lime in the stumps. 13:18.420 --> 13:21.940 Good, now, that's it, I'm ready to go 13:22.440 --> 13:26.480 in the lamp, everything else will be cleaner 13:26.980 --> 13:30.580 it's gonna go up with black, that means a little more black 13:31.120 --> 13:34.480 I add, or just plain, that we're working with the black 13:35.640 --> 13:39.200 I always get it out. And now it's me you know I really need 13:39.700 --> 13:43.040 concentrate, because the junk we're going to put up to this here 13:43.540 --> 13:45.120 it's going to sit a little bit in front of the bishop, 13:49.260 --> 13:53.100 over the front, good, a little bigger 13:53.600 --> 13:56.560 attraction, a little more like this, we'll make it bigger, 14:00.390 --> 14:04.030 so if you messed up, you don't have to write it, because underneath the kivan 14:04.530 --> 14:08.690 I've tied the mat cover, so you can wipe it off with a kilincer tile 14:09.190 --> 14:12.550 for example, and then comes the hedgehog's nose, 14:13.110 --> 14:16.710 which is a little bit of an egg shape, so up you go, 14:16.850 --> 14:18.470 I'm gonna move it around a little bit, 14:20.830 --> 14:22.150 my scoring needle, 14:23.610 --> 14:27.250 soni, and the rest of the place will be eccet, 14:27.310 --> 14:30.810 I'll do the nuzzling again, I'll twirl it in the black, 14:32.050 --> 14:36.110 and then a little eyebrow, and then we do that by doing a little bit 14:36.610 --> 14:39.810 we'll start after his eyes, 14:40.070 --> 14:45.230 so not above me, I'm going, but a little bit further, and so down, 14:45.390 --> 14:46.930 so I'll pull it like this, 14:48.450 --> 14:49.010 little suckling, 14:51.660 --> 14:53.800 curved line, 14:57.060 --> 15:00.440 so, here's a couple of these 15:00.940 --> 15:04.450 little mustache, hair thin lines, 15:10.670 --> 15:14.450 like this, she needs a couple of puffs, 15:15.190 --> 15:16.830 but for the mustache stalk. 15:26.600 --> 15:30.160 Okay, we'll put it in the lamp, we'll live once, and the white 15:30.530 --> 15:33.960 we'll use it and all over the back 15:34.460 --> 15:38.020 we're gonna draw these little tiny thin lines, 15:38.620 --> 15:42.160 or with this dense material, but if the line is really jagged, 15:42.480 --> 15:46.360 then it's safe to dilute it, so it's so tiny, 15:46.640 --> 15:49.900 tiny lines back together, 15:50.540 --> 15:54.300 don't regularly give out a salt, so one should be 15:54.620 --> 15:58.760 a little higher, a little lower, one a little shorter, one a little longer, 15:58.900 --> 16:00.740 One thicker, one more, one more, 16:03.600 --> 16:07.160 differently, it's going to be very, very regular 16:07.660 --> 16:08.280 all over, and it's no good, 16:12.410 --> 16:17.530 And then I'll just do a little bit more, and then I'll do a little bit more, 16:20.250 --> 16:24.270 and we'll do a little head bobbin' for two, 16:24.770 --> 16:28.610 like this, and I'm done with the sash, 16:29.110 --> 16:32.670 in next to the lamp, and then I'll mod the 16:33.170 --> 16:35.350 I'm ready, I'm ready, I'm ready, I'm ready